Terminator 2 is the bridge between the CGI blockbusters of today and the tangible craft and creative solutions that used to fuel these escapist fantasies. The liquid T-1000 still impresses, but there’s the added amazement at the artistic invention. The action beats aren’t just exciting, their creativity provide the extra kick of feeling possible. It made me nostalgic for the time before James Cameron was handed a blank check, with practical effects that are every bit as great as the computer-generated ones. When the Terminator stands over Miles Dyson and pulls his rubber arm skin off to reveal a robot skeleton, there’s a tangible, emotional charge to it.
Cameron’s reputation for technical perfection is very much on display. My favorite moment now is during Sarah Conner’s escape. After our heroes get out of the elevator and steal a cop car, T-1000 pours through the hole it’s punched through the elevator roof. The fluorescent ceiling light has been knocked down and swivels around inside. T-1000 hits the ground with a metallic splat. As the metal/computer score picks up the pace, the liquid matter forms into a person and starts to run, casting lighting reflections from the fluorescents. During the run, the chrome strips away revealing Robert Patrick. So many departments working together, and there’s fun for the craft within an exciting beat.
Leave A Comment